Aesthetics
2007-06-09 16:33:15Understanding the nature and meaning of one of the key themes in the philosophical discipline known as aesthetics. The composer and critic Robert Schumann distinguished between two kinds of beauty, natural and poetic. The former is found in the contemplation of nature, whereas the latter lies in man's conscious, creative intervention into nature. Schumann indicated that in music, or other art, both kinds of beauty appear, but natural beauty is merely sensual delight. Poetic beauty begins where the natural beauty leaves off.
A nymph with morning glory flowers by Lefebvre. The image of the young woman is a symbol of human beauty in the West, and a dominant theme in western art. A common idea suggests that beauty exists in the appearance of things and people that are good. A good apple will be perceived as more beautiful than a bruised one. Also, most people judge physically attractive human beings to be good, both physically and on a deeper level. Specifically, they are believed to possess a variety of positive traits and personality characteristics.[3] The stereotype, "beauty is good" has many significant counter examples. These include such things as a glacier, or a ruggedly dry desert mountain range. Many people find beauty in hostile nature, but this can be bad, or at least unrelated to any sense of goodness. Another type of counterexample are comic or sarcastic works of art, which can be good, but are rarely beautiful. Additionally, people may be good and not beautiful, or beautiful but not good. Further, people's skills can develop and change their sense of beauty. Carpenters may view an out-of-true building as ugly, and many master carpenters can see out-of-true angles as small as half a degree.[citation needed] Many musicians can likewise hear as dissonant a tone that's high or low by as little as two percent of the distance to the next note.[citation needed] Most people have similar aesthetics about the work or hobbies they've mastered.