Contemporary automata
2007-06-09 15:43:03Contemporary automata continue this tradition with an emphasis on art, rather than technological sophistication. Contemporary automata are represented by the works of Cabaret Mechanical Theatre in the United Kingdom and Dug North and Chomick+Meder in the United States.
A fascinating evolution of the mechanized toys developed during the 18th and 19th century is represented by automata made with paper. The possibility to export the complete design throughout the world with a simple click of the mouse gives paper automata (and in general paper modelling) a great impact. Despite the relative simplicity of the material, paper automata intrinsically are objects with a high degree of technology, where the principles of mechanics meet the artistic creativity. Popular sites where to find paper automata are, among others:
Other notable examples of automata include Archytas's dove, mentioned by Aulus Gellius, Noct. Att. L. 10; and Regiomontanus's wooden eagle and iron fly, the former which, as Hakewill relates, flew forth of the city, met the emperor, saluted him, and returned. It is said that the iron fly flew out of Regiomontanus's hands at a feast, and taking a round, returned to him.[4] Similar Chinese accounts of flying automata are written of the 5th century BC Mohist philosopher Mozi and his contemporary Lu Ban, who made artificial wooden birds (ma yuan) that could successfully fly according to the Han Fei Zi and other texts.[5]
The Smithsonian Institution has in its collection a clockwork monk, about 15 inches high, possibly dating as early as 1560. The monk is driven by a key-wound spring and walks the path of a square, striking his chest with his right arm, while raising and lowering a small wooden cross and rosary in his left hand, turning and nodding his head, rolling his eyes, and mouthing silent obsequies. From time to time, he brings the cross to his lips and kisses it. It is believed that the monk was manufactured by Juanelo Turriano, mechanician to the Holy Roman Emperor Charles V.
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